The Cult of the Greek Virgin

 The cult of the Greek Virgin is closely linked to the story of Pietro degli Onesti.  After having fled to the Middle East, in disagreement with Archbishop Guiberto of Ravenna (who had apparently claimed himself 'antipope'), he is summed by God back to Ravenna for some strange purpose.  The purpose apparently being that he can be caught in a huge storm at sea, because storms are generally used by God when he wants to convert people.  Terrified out of his mind, he vows to God to dedicate his life to the church and especially to the Virgin Mary.  He survives.  And settles down in a little casa near the port of Ravenna.

On April 8, 1100, a sacred marble bas relief was found on the seashore.  It only allowed Pietro degli Onesti to approach it.

A wonder!  A sacred object!

A church is built.  Zillions of pilgrims come.  Hostels are opened.  Fast food stalls abound.  

It's just overwhelming.

So they decided to build a church large enough to host the pilgrimages.  On the site of the original church, in 1511 is built the current basilica.

 

The left transept is the Chapel of the Greek Virgin.  She is happy to listen to your prayers :)

Galla Placidia in eternal splendor

 Did I mention that Ravenna has 8 UNESCO World Heritage monuments?  Hmmmm....

One of the jewels in the crown is the mausoleum of Galla Placidia.  Born in c. 388, she was the daughter of Emperor Theodosius I and his second wife, Galla.  Placidia took her mother's name as well and her birth brought together two Imperial dynasties, the Valentinian and the Theodosian.  It's all very complicated and reads like a Monty Python skit, but when she is kidnapped and held as hostage by the Visigoth king, Alaric.  Lots of grumbling and throwing things about ensued.  The Visigoths headed to Rome because they discovered the verb "sack" in the dictionary and decided that Rome should indeed be sacked.  Which it was, most famously.  Galla Placidia carried away but remaining quite composed during the whole thing.

On Alaric's death, it is decided that she be forced to marry the new Visigoth king, Athaulf, and things begin to settle down because that makes her the Empress!  She settles into her new role, having babies and demonstrating her intellectual prowess and influence. She ends up being a very fabulous ruler.  At her death, her glorious body is entombed in her mausoleum, which is very close to the marvelous San Vitale.

It's a tiny cabana of love, an orb of splendor, a wee hut of splendor beyond dreams.  What a place to have eternal rest.  You walk into this tiny space.  Once your eyes adjust to the darkness, you look up into the most beautiful azure night sky filled with stars.

There are depictions of saints, the four Evangelists, little animals and landscapes.  There is even a cabinet with the four gospels in it.  Not the best reading for all eternity, but hey ho.

And these sweet little chirpers, having a drinkie-poo.

The only light being that which shines through these amber alabaster windows.

It's truly, truly something remarkable. Truly.

Mosaics and early Christianity

 Ravenna boasts several UNESCO world heritage sites and I am so glad they are protected.  Ravenna has such a remarkable history. Ravenna is in the Emilia-Romagna region of Italy, near the Adriatic coast but actually connected to the sea by a canal.  It became the capital of the Western Roman Empire during the 5th century and from there became an important city for the development of early Christianity.  And this is a story that is not straight-forward.  I have been reading a book about the first 500 years of Christianity, a history of all its forms and approaches.  You can actually see evidence of this in the art of Ravenna's ancient churches.

San Vitale is one of the most extraordinary churches I have ever been in.

Made of brick, it sits there like a fat and jolly octagonal building with all sorts of random sections jutting out here and there.  But when you enter, you know this is a sacred space.  Beautiful painted cupola, alabaster windows, exquisite immersion baptismal fount and mosaics of splendor.  Begun in 526, it was finished in 547 under Bishop Maxentius and in that marked the takeover of Italy by Emperor Justinian.  Here is Justinian in his robes, receiving accolades:

And here is his wife, Theodora, dressed in finery, glib that she has risen through the ranks.  Prostitute to Empress!

And then there is the Commander in Chief, Jesus, in the center of an orb, looking very much like an Emperor himself.

Purple robe, sitting on a throne, Roman sandals, dictating....

The depiction of Jesus in these early mosaics is very telling and when we look at two different baptistries in Ravenna, we get insight into one of the many controversies revolving around the nature of Jesus.  

Once Constantine (in 325 was the Council of Nicaea) proclaimed that Christianity was going to be the 'official' religion of the Roman Empire, he wanted a clear picture of the theological notions and dogmatic beliefs.  The Council of Nicaea plotted it all out and one of the ideas it held to was the idea of the trinity.  That god, the son, and the holy spirit are one essence.  Jesus is God.  He is God made man. That became the bedrock of Roman Catholicism.  And 'orthodox' depictions of Jesus feature that idea.  That he is human, yes.... but God, nonetheless.  Here is the mosaic of Jesus in the Neonian baptistry.

You can see he has a beard, a grown body, a nimbus, the holy spirit and... blurry genitals.

But Arian Christianity held a different view.  Largely the work and influence of Bishop Arius from Alexandria, Arian Christianity rejected the notion of the trinity.  This sect of Christianity believed that Jesus was the son of God, and therefore beneath God, secondary to God.  His humanity was complete, as it had to be to demonstrate the impact of the sacrifice of his life for the salvation of humanity.  In Ravenna during this time, different approaches to Christianity were still allowed.  So you can visit churches and this one baptistry that are of the Arian sect.  Here is their version of the baptism of Christ by John the Baptist.

Jesus is young, nubile and naked.  His genitals are clearly shown to indicate his full humanity.

I think this is all so fascinating.  

Visitando il maestro, il capo

 Dante Alighieri, exiled from his beloved Florence, made his way to Ravenna, which is a rather long way away.  Shunned because of his affiliation with the White Guelphs, a political party that desired to have more freedom from Rome's influence on the political and economic trends in Florence.  Pope Boniface was not going to take any lip from him, as he was known as an intellectual force to contend with, so he had Dante (along with the powerful Gherardini family) exiled from Florence.  No more unsalted bread for you!  (Florence was known for its unsalted bread.  A practice that come about because the city refused to pay hiked up salt taxes)

So here in Ravenna, he begins his Comedia.  His desire is to tell his story, a story of a midlife crisis of faith, that is the story of so many.  Calling upon medieval theological ideas, he begins the story of his losing his way, finding himself in a dark wood, standing before the gates of hell.  "Abandon hope all ye who enter here".... and it begins.

At first, he writes in Latin, because Latin is the accepted language of the arts, literature, and all other important things.  But then he has a realization.  He wants this work to have a wider audience.  So he decides to write it in Latin vernacular, the vulgate language, the common tongue, the Tuscan dialect, to be precise.  And this, my darlings, is the beginning of standard Italian. 

He never goes back home.  Rather, he dies in Ravenna in 1321 and is buried here.  His tomb has gone through many manifestations.  The one you visit today, which does indeed contain his bones, was built in 1780.

During the bombing of WWII, his bones were removed and buried nearby in a park.  They still mark that area with a plaque and a mound of ivy.

Every day at 2pm, a reader stands here and reads from the Divine Comedy.  If you want to be a reader, you can apply to do it online.  

Love moves the sun and the stars. 

The road to Ravenna....

Jean de la Fontaine wrote, "There is no path of flowers leading to glory."  And anyone who has ever taken the train from Bologna Centrale to Ravenna knows this all too well.

Saturday, I left my lovely Renaissance city by taxi at 9.  He took me to the station at Chiusi Chianciano where I delighted in walking up and down the platform because it was flat!  Flat, darlings.  What bliss to walk on a flat surface.  The train came at 12 and dropped me at Bologna at 2:45.  Craziness began around 7 minutes before the train was to arrive and they changed the platform number.  O dio.  About 75 people rushing to switch platforms.  Insanity.  Crammed into the train with it seemed hundreds of sweaty bastards from hell. 

Here's some quick insight.  The train to Ravenna is on the same track as the train to Rimini, a coastal resort town known for its parties, mayhem and general bad behavior.  In the 70s, it was the heroin capital of Italy.  Now it's just full of partially nude and intoxicated youth. 

So I found myself, in my quest for glory and beauty, yearning to feast my eyes and soul on the 5th-6th century marvels of Ravenna, sharing the train with a bunch of hooligans, misfits, wretches, stoned hippies, and a gaggle of rather dopey looking American girls who really shouldn't be doing this. Standing room only.  Sweating like donkeys.  Absolute wretchedness.

Arriving in Ravenna, I pulled out my phone for Google maps and began the 7-minute

walk to my hotel.  Only to be stopped at one street because THE GIRO D'ITALIA WAS COMING THROUGH!!!!!! Oh my god.  Quelle fabulousness!  It was the women's race, but nonetheless, so thrilling to watch all the support cars go by, followed by the peloton.

Then, to my hotel.  Knackered.  Wretched.  I even had to eat a few things out of the mini bar or I was sure I would die.  But here are my room and the breakfast room. 

Ho imparato molto

 My time at Il Sasso comes to a close this week.  I have learned so much and gained confidence that surprises me.  My ability with the language has soared this time and I find myself able to say things without thinking them through first.  It's glorious.

And I have worked with a wonderful teacher, Teresa.  A retired language teacher who taught Italian at universities in France for a good part of her career.  But she is a Montepulciano native and thus has made her way back to her hometown.  What have I learned from her?:

• Confidence
• Humor
• Congiuntivo trapassato and other nightmarish verb tenses
• Lovely idiosyncrasies of Italian culture
• Book recommendations

But by far the most important thing..... that wearing a black bra under a white shirt is BACK, BITCHES!!!

YES!!!

The Language of the Angels

 The protagonist of Thomas Mann's novel, Confessions of Felix Krull, stated, "I am truly in love with this beautiful language, the most beautiful in the world.  .... For me, there is no doubt that the angels in heaven speak Italian.  It is impossible to imagine that these beautiful beings would use a language less musical."

The reference to angels speaking Italian is an indirect reference to a line from The Divine Comedy, in which Dante states, "la lingua degli angeli mostrasi si piacente a chi la ode." -Paradiso XXV (trans.  The language of the angels appears pleasing to those who hear it.)  It is useful, malleable, musical, seductive, harmonious, all qualities that angels like very much. 

Throughout history it has been noted by great poets, thinkers, scholars .... and emperors, that Italian is the superior language.  I think this is best summed up by Emperor Carlo V d'Asburgo (1500-1538) when he stated, "I speak in Spanish to God, Italian to women, French to men, and German to my horse."

Oh, Europeans and their sexy multi-lingual ways. 

My journey with Italian definitely started in a 'dark wood,' not unlike Dante's entry into Hell.

I was in that 'dark wood' for quite a while.  Only recently have I entered into the Glory of the Light!  8 years, so far, and still going.  But it is so satisfying to feel fluency coming on.  To speak without translating first, to learn slang expressions, to communicate and be appreciated.  Bello, bello.